While humans have used their hands to engage in combat since the dawn of man, boxing originated in Ancient Greece as an Olympic event. It is one of the most popular, controversial and misunderstood sports in the world. For its advocates, it is a heroic expression of unfettered individualism. For its critics, it is a depraved and ruthless physical and commercial exploitation of mostly poor young men. This Companion offers engaging and informative essays about the social impact and historical importance of the sport of boxing. It includes a comprehensive chronology of the sport, listing all the important events and personalities. Essays examine topics such as women in boxing, boxing and the rise of television, boxing in Africa, boxing and literature, and boxing and Hollywood films. A unique book for scholars and fans alike, this Companion explores the sport from its inception in Ancient Greece to the death of its most celebrated figure, Muhammad Ali.

Now with a new foreword, this timely reissue features a remarkable collection of oral histories that trace three decades of turbulent race relations and social change in the United States for a new generation of activists. One evening in 1955, Howard Spence, a Mississippi field representative for the NAACP investigating the Emmett Till murder, was confronted by Klansmen who burned an eight-foot cross on his front lawn. "I felt my life wasn't worth a penny with a hole in it." Twenty-four years later, Spence had become a respected pillar of that same Mississippi town, serving as its first Black alderman. The story of Howard Spence is just one of the remarkable personal dramas recounted in Black Lives, White Lives. Beginning in 1968, Bob Blauner and a team of interviewers recorded the words of those caught up in the crucible of rapid racial, social, and political change. Unlike most retrospective oral histories, these interviews capture the intense racial tension of 1968 in real time, as people talk with unusual candor about their deepest fears and prejudices. The diverse experiences and changing beliefs of Blauner's interview subjects-sixteen of them Black, twelve of them white-are expanded through subsequent interviews in 1979 and 1986, revealing as much about ordinary, daily lives as the extraordinary cultural shifts that shaped them. This book remains a landmark historical and sociological document, and an exceptional primary-source commentary on the development of race relations since the 1960s. Republished with a foreword by Professor Gerald Early, Black Lives, White Lives offers new generations of scholars and activists a galvanizing meditation on how divided America was then and still is today.

While humans have used their hands to engage in combat since the dawn of man, boxing originated in Ancient Greece as an Olympic event. It is one of the most popular, controversial and misunderstood sports in the world. For its advocates, it is a heroic expression of unfettered individualism. For its critics, it is a depraved and ruthless physical and commercial exploitation of mostly poor young men. This Companion offers engaging and informative essays about the social impact and historical importance of the sport of boxing. It includes a comprehensive chronology of the sport, listing all the important events and personalities. Essays examine topics such as women in boxing, boxing and the rise of television, boxing in Africa, boxing and literature, and boxing and Hollywood films. A unique book for scholars and fans alike, this Companion explores the sport from its inception in Ancient Greece to the death of its most celebrated figure, Muhammad Ali.

Gerald Early, an award-winning music, sports, and popular-culture scholar, brings us a concise study of Motown Records, one of the most famous and successful black-owned businesses in American history, and, arguably, the most significant of all American independent record labels.
Early tells the story of the historical and cultural conditions that made this record company possible, including the dramatic shifts in American popular music, changes in race relations and racial attitudes, and the rise of a black urban population. Early concentrates in particular on the 1960s and 70s, when Motown had its biggest impact on American musical tastes and styles. In addition, he provides an up-to-date bibliography of the major books that have been written about Motown Records specifically, and black American music generally. With new appendices featuring interviews with four of the major creators of the Motown Sound: Berry Gordy, Stevie Wonder, Diana Ross, and Marvin Gaye.
Gerald Early is Merle Kling Professor of Modern Letters in the Department of Arts and Sciences at Washington University. His book, "The Culture of Bruising: Essays on Prizefighting, Literature, and Modern American Culture, won the 1994 National Book Critics Circle Award for criticism.

Here is the superb second edition of the annual anthology devoted to the best nonfiction writing by African American authors--provocative works from an unprecedented and unforgettable year when truth was stranger (and more inspiring) than fiction.
The galvanizing election of Barack Obama was on the minds--and the pages--of authors everywhere. Best African American Essays 2010 features the insights of writers from Juan Williams to Kelefa Sanneh and even Obama himself (his seminal speech on race is included here in its entirety). Ta-Nehisi Coates, in The Nation, proclaims that the president has "redefined blackness for white America," while Adolph Reed, Jr., in The Progressive, calls him a "vacuous opportunist" and Colson Whitehead, in The New York Times, lightheartedly revels in the election of "someone who looked like me . . . slim." The First Lady is considered, too, as Lauren Collins, in The New Yorker, assesses the radical quality of Michelle Obama's very normalcy.
But Best African American Essays 2010 goes beyond the Obamas with brilliant pieces from such writers as Hua Hsu, who declares the end of white America in "a new cultural mainstream which prizes diversity above all else"; Henry Louis Gates, who researches his family tree, adding to the "young discipline" that is African American history; and Jelani Cobb, who dares to defend George W. Bush. There are thoughtful and heartfelt tributes to living legends, including Bill Cosby (and an analysis of his famous "pound cake" speech, which promoted black responsibility, empowerment, and self-esteem), and remembrances of those who have passed, including Miriam Makeba, Isaac Hayes, Eartha Kitt, and Michael Jackson.
Selected by guest editor Randall Kennedy, a leading intellectual and legal scholar, the wide-ranging pieces in Best African American Essays 2010 comprise a thrilling collection that anyone who wishes to understand the meaning of the new America must own.

First performed in 1964, Amiri Baraka's play about a charged encounter between a black man and a white woman still has the power to shock. The play, steeped in the racial issues of its time, continues to speak to racial violence and inequality today. This volume offers strategies for guiding students through this short but challenging text. Part 1, ""Materials,"" provides resources for biographical information, critical and literary backgrounds, and the play's early production history. The essays of part 2, ""Approaches,"" address viewing and staging Dutchman theatrically in class. They help instructors ground the play artistically in the black arts movement, the beat generation, the theater of the absurd, pop music, and the blues. Background on civil rights, black power movements, the history of slavery, and Jim Crow laws helps contextualize the play politically and historically.

From his status as Heavyweight Champion of the World to his ongoing battle with Parkinson's disease, Muhammad Ali is a celebrated icon known the world over for his athletic championships and his civic and humanitarian enterprises. Ali has been both underdog and champion, villain and prince, playboy and staunch Muslim, exalted hero and reviled conscientious objector- the very spirit of the 20th Century, (Norman Mailer). Organized by decade and illustrated with sixteen pages of classic photos, "The Muhammad Ali Reader" tells Ali's story in more than thirty essays from a stellar array of authors, athletes, and social commentators, including A. J. Liebling, Tom Wolfe, George Plimpton, Norman Mailer, Pete Hamill, Gary Wills, Hunter Thompson, and Joyce Carol Oates. Floyd Patterson defends Ali's right to criticize the Vietnam War; Malcolm X explains how Ali went from entertainer to threat with his declaration as a man of race; Ali shares some intimate and definitive thoughts in a Playboy magazine interview; and Gay Talese gives us a front seat on a 1996 ride to Cuba where Ali meets up with Fidel Castro. Fascinating and diverse, this collective portrait reveals the many facets of the awe-inspiring, controversial, and beloved man and legend known to all as The Greatest: the one and only Muhammad Ali.

First performed in 1964, Amiri Baraka's play about a charged encounter between a black man and a white woman still has the power to shock. The play, steeped in the racial issues of its time, continues to speak to racial violence and inequality today. This volume offers strategies for guiding students through this short but challenging text. Part 1, ""Materials,"" provides resources for biographical information, critical and literary backgrounds, and the play's early production history. The essays of part 2, ""Approaches,"" address viewing and staging Dutchman theatrically in class. They help instructors ground the play artistically in the black arts movement, the beat generation, the theater of the absurd, pop music, and the blues. Background on civil rights, black power movements, the history of slavery, and Jim Crow laws helps contextualize the play politically and historically.